{"id":686,"date":"2022-11-13T23:57:37","date_gmt":"2022-11-14T02:57:37","guid":{"rendered":"https:\/\/estudostolkienianos.com.br\/?page_id=686"},"modified":"2022-11-14T00:20:05","modified_gmt":"2022-11-14T03:20:05","slug":"dissertacoes-de-mestrado","status":"publish","type":"page","link":"https:\/\/estudostolkienianos.com.br\/pt_br\/dissertacoes-de-mestrado\/","title":{"rendered":"Disserta\u00e7\u00f5es de Mestrado"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"686\" class=\"elementor elementor-686\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-20a67d9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"20a67d9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1695325\" data-id=\"1695325\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fc4e5a8 elementor-widget elementor-widget-spacer\" data-id=\"fc4e5a8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.0 - 30-10-2022 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));-ms-flex-item-align:stretch;align-self:stretch;-ms-flex-negative:0;flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f510473 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f510473\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a5d95a9\" data-id=\"a5d95a9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-07bd6ce elementor-widget elementor-widget-heading\" data-id=\"07bd6ce\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.0 - 30-10-2022 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Disserta\u00e7\u00f5es de Mestrado<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1746af5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1746af5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5e7ab8c\" data-id=\"5e7ab8c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-df957f8 elementor-widget elementor-widget-spacer\" data-id=\"df957f8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e1e2674 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"e1e2674\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"https:\/\/estudostolkienianos.com.br\/pt_br\/link-dissertacao-de-mestrado\/\" class=\"elementor-button-link elementor-button elementor-size-sm\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t<span class=\"elementor-button-icon elementor-align-icon-left\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-cloud-download-alt\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Baixar Arquivos<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bc782e6 plus-border-yes elementor-widget elementor-widget-tp-table\" data-id=\"bc782e6\" data-element_type=\"widget\" data-widget_type=\"tp-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div itemscope class=\"plus-table-wrapper   tp-table-mobresswipe\" =\"\" itemtype=\"http:\/\/schema.org\/Table\"><table id=\"plus-table-id-bc782e6\" class=\"plus-table plus-text-break plus-column-rules\" data-sort-table=\"yes\" data-show-entry=\"no\" data-searchable=\"yes\" data-searchable-label=\"Procurar\"><thead><tr class=\"plus-table-row\"><th class=\"sort-this plus-table-col\">\ufeffAno<span class=\"plus-sort-icon\"><\/span><\/th><th class=\"sort-this plus-table-col\">T\u00edtulo<span class=\"plus-sort-icon\"><\/span><\/th><th class=\"sort-this plus-table-col\">Autor(a)<span class=\"plus-sort-icon\"><\/span><\/th><th class=\"sort-this plus-table-col\">Universidade<span class=\"plus-sort-icon\"><\/span><\/th><th class=\"sort-this plus-table-col\">PPG<span class=\"plus-sort-icon\"><\/span><\/th><th class=\"sort-this plus-table-col\">Orientador(a)<span class=\"plus-sort-icon\"><\/span><\/th><\/tr><\/thead><tbody><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2021<\/td><td class=\"plus-table-col\">Entre Tom&aacute;s e Tolkien: a representa&ccedil;&atilde;o do ser humano segundo a escol&aacute;stica tomista na Sociedade do Anel<\/td><td class=\"plus-table-col\">Rodrigo Gustavo Pires Heckler<\/td><td class=\"plus-table-col\">Universidade FEEVALE<\/td><td class=\"plus-table-col\">Processos e Manifesta&ccedil;&otilde;es Culturais<\/td><td class=\"plus-table-col\">Cristina Ennes da Silva<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2021<\/td><td class=\"plus-table-col\">Luz e escurid&atilde;o na Terra M&eacute;dia: as met&aacute;foras conceptuais que regem O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Mariana Moreira Nunes Santa Maria<\/td><td class=\"plus-table-col\">UNESP - FCL-CAr<\/td><td class=\"plus-table-col\">Lingu&iacute;stica e L&iacute;ngua Portuguesa<\/td><td class=\"plus-table-col\">Ant&ocirc;nio Su&aacute;rez Abreu<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2021<\/td><td class=\"plus-table-col\">Rela&ccedil;&otilde;es intermidi&aacute;ticas entre o romance The Hobbit de J. R. R. Tolkien e a can&ccedil;&atilde;o Misty Mountain Hop de Led Zeppelin<\/td><td class=\"plus-table-col\">Vict&oacute;ria Elizabeth dos Santos<\/td><td class=\"plus-table-col\">UNIFESP<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Ana Luiza Ramazzina Ghirardi<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2021<\/td><td class=\"plus-table-col\">Um fim &agrave; escurid&atilde;o: formaliza&ccedil;&otilde;es e ficcionaliza&ccedil;&otilde;es do mal e da guerra em O Senhor dos An&eacute;is, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Gabriela Ferraz Granja<\/td><td class=\"plus-table-col\">UNICAMP<\/td><td class=\"plus-table-col\">Teoria e Hist&oacute;ria Liter&aacute;ria<\/td><td class=\"plus-table-col\">Suzi Frankl Sperber<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2021<\/td><td class=\"plus-table-col\">Uma an&aacute;lise teol&oacute;gica da eucat&aacute;strofe na obra O Silmarillion de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Lucas dos Santos Ferreira<\/td><td class=\"plus-table-col\">PUC-PR<\/td><td class=\"plus-table-col\">Teologia<\/td><td class=\"plus-table-col\">Alex Vicentim Villas Boas<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2020<\/td><td class=\"plus-table-col\">A anterioridade posterior: uma leitura desconstrucionista das adapta&ccedil;&otilde;es f&iacute;lmicas de O Hobbit, de Peter Jackson<\/td><td class=\"plus-table-col\">Ismael Arruda Nazario da Silva<\/td><td class=\"plus-table-col\">UERN<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Charles Albuquerque Ponte<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2020<\/td><td class=\"plus-table-col\">A guerra fant&aacute;stica em O Senhor dos An&eacute;is de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Francisco Escosteguy Augstburger<\/td><td class=\"plus-table-col\">PUC-RS<\/td><td class=\"plus-table-col\">Lingu&iacute;stica e Letras<\/td><td class=\"plus-table-col\">Ricardo Ara&uacute;jo Barberena<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2020<\/td><td class=\"plus-table-col\">A interface literatura\/cinema em The Hobbit: intersemi&oacute;tica nas diferentes imagens de Bilbo Baggins<\/td><td class=\"plus-table-col\">Edivaldo Sim&atilde;o de Freitas<\/td><td class=\"plus-table-col\">UFC<\/td><td class=\"plus-table-col\">Estudos da Tradu&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Rafael Ferreira da Silva<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2020<\/td><td class=\"plus-table-col\">O legendarium tolkieniano como paid&eacute;ia medieval<\/td><td class=\"plus-table-col\">Jardiel Roberto da Silva Barbosa<\/td><td class=\"plus-table-col\">UFPB<\/td><td class=\"plus-table-col\">Ci&ecirc;ncias das Religi&otilde;es<\/td><td class=\"plus-table-col\">Fabr&iacute;cio Possebon<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2020<\/td><td class=\"plus-table-col\">Os dias antigos da Terra-m&eacute;dia: B&iacute;blia e mitologias em O Silmarillion, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Isabela Brito Oliveira<\/td><td class=\"plus-table-col\">UFPEL<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Eduardo Marks de Marques<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2019<\/td><td class=\"plus-table-col\">Ainundal&euml;: uma composi&ccedil;&atilde;o inspirada em O Silmarillion de J. R. R. Tolkien, a partir de an&aacute;lises de obras de A. Schnittke<\/td><td class=\"plus-table-col\">Est&ecirc;van Silveira de Oliveira<\/td><td class=\"plus-table-col\">UNIRIO<\/td><td class=\"plus-table-col\">M&uacute;sica<\/td><td class=\"plus-table-col\">Alexandre Sperand&eacute;o Fenerich<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2019<\/td><td class=\"plus-table-col\">O primeiro senhor do escuro: Melkor e as tradi&ccedil;&otilde;es mitol&oacute;gicas em O Silmarillion, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Fernanda da Cunha Correia<\/td><td class=\"plus-table-col\">MACKENZIE<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Ana L&uacute;cia Trevisan<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2019<\/td><td class=\"plus-table-col\">The Road Goes Ever On: J. R. R. Tolkien&acute;s Response to the Dark Days of the Twentieth Century, and After<\/td><td class=\"plus-table-col\">Fabian Quevedo da Rocha<\/td><td class=\"plus-table-col\">UFRGS<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Sandra Sirangelo Maggio<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2018<\/td><td class=\"plus-table-col\">A desola&ccedil;&atilde;o de O Hobbit: a decep&ccedil;&atilde;o dos f&atilde;s sobre a adapta&ccedil;&atilde;o cinematogr&aacute;fica<\/td><td class=\"plus-table-col\">Henrique Denis Lucas<\/td><td class=\"plus-table-col\">UFRGS<\/td><td class=\"plus-table-col\">Comunica&ccedil;&atilde;o e Informa&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Nilda Aparecida Jacks<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2018<\/td><td class=\"plus-table-col\">Esse jogo &eacute; uma hist&oacute;ria? An&aacute;lise da constru&ccedil;&atilde;o da narrativa no jogo Middle-Earth: Shadow of Mordor desenvolvido com base no universo de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Iris Mait&ecirc; Fullas Aguiar<\/td><td class=\"plus-table-col\">UNIFESP<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Renata Philippov<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2018<\/td><td class=\"plus-table-col\">O processo subcriativo mitopo&eacute;tico de John Ronald Reuel Tolkien e Clive Staples Lewis como consci&ecirc;ncia est&eacute;tica do mandato cultural<\/td><td class=\"plus-table-col\">Werbson Azevedo Laurentino<\/td><td class=\"plus-table-col\">UNB<\/td><td class=\"plus-table-col\">Literatura<\/td><td class=\"plus-table-col\">Wiliam Alves Biserra<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2018<\/td><td class=\"plus-table-col\">O Silmarillion, de J. R. R. Tolkien e as Virtudes Cardeais: Literatura Fant&aacute;stica e moral crist&atilde;<\/td><td class=\"plus-table-col\">Jonas Filippe Matos de Souza<\/td><td class=\"plus-table-col\">UNB<\/td><td class=\"plus-table-col\">Literatura<\/td><td class=\"plus-table-col\">Wiliam Alves Biserra<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2018<\/td><td class=\"plus-table-col\">Paisagens do medo em O Senhor dos An&eacute;is: reminisc&ecirc;ncias do G&oacute;tico<\/td><td class=\"plus-table-col\">Francisco de Assis Ferreira Melo<\/td><td class=\"plus-table-col\">UFG<\/td><td class=\"plus-table-col\">Estudos da Linguagem<\/td><td class=\"plus-table-col\">Alexander Meireles da Silva<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">Adapta&ccedil;&atilde;o ao cinema: O Senhor dos An&eacute;is e os schemata mediados<\/td><td class=\"plus-table-col\">Renan Claudino Villalon<\/td><td class=\"plus-table-col\">UAM<\/td><td class=\"plus-table-col\">Comunica&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Renato Luiz Pucci Junior<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">Afetividades em enquadramentos: os discursos de experi&ecirc;ncia de lugaridade em Senhor dos An&eacute;is: a Sociedade do Anel<\/td><td class=\"plus-table-col\">Francyjonison Custodio do Nascimento<\/td><td class=\"plus-table-col\">UFRN<\/td><td class=\"plus-table-col\">Geografia<\/td><td class=\"plus-table-col\">Maria Helena Braga e Vaz da Costa<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">Em boa companhia - a amizade em O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Cristina Casagrande de Figueiredo Semmelmann<\/td><td class=\"plus-table-col\">USP<\/td><td class=\"plus-table-col\">Letras (Estudos Comparados de Literaturas de L&iacute;ngua Portuguesa)<\/td><td class=\"plus-table-col\">Maria Zilda da Cunha<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">Fantasia e Hist&oacute;ria: uma abordagem te&oacute;rica em J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Emanuelle Garcia Gomes<\/td><td class=\"plus-table-col\">UFU<\/td><td class=\"plus-table-col\">Hist&oacute;ria<\/td><td class=\"plus-table-col\">Andr&eacute; Fabiano Voigt<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">O di&aacute;logo intermidi&aacute;tico entre a Sociedade do Anel e The Lord of The Rings Online (Lotro): aspectos de remidia&ccedil;&atilde;o, meia-realidade, estrutura e fic&ccedil;&atilde;o interativa<\/td><td class=\"plus-table-col\">Lis Yana de Lima Martinez<\/td><td class=\"plus-table-col\">UFRGS<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Lucia S&aacute; Rebello<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">O vicejar dos astros: a individua&ccedil;&atilde;o da personagem Frodo em O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">S&eacute;rgio Ricardo Perassoli J&uacute;nior<\/td><td class=\"plus-table-col\">UNESP - FCL-CAr<\/td><td class=\"plus-table-col\">Estudos Liter&aacute;rios<\/td><td class=\"plus-table-col\">Aparecido Donizete Rossi<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2017<\/td><td class=\"plus-table-col\">The Silmarillion e o desenvolvimento de uma nova mitologia no s&eacute;culo XX<\/td><td class=\"plus-table-col\">Marcos Vinicius Nunes Carreiro<\/td><td class=\"plus-table-col\">UFG<\/td><td class=\"plus-table-col\">Letras e Lingu&iacute;stica<\/td><td class=\"plus-table-col\">Maria Zaira Turchi<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">A identidade visual gr&aacute;fica no audiovisual contempor&acirc;neo: apropria&ccedil;&otilde;es da visualidade medieval em O Senhor dos An&eacute;is, Game of Thrones e World of Warcraft<\/td><td class=\"plus-table-col\">Lucas Pessoa Pereira<\/td><td class=\"plus-table-col\">UFPEL<\/td><td class=\"plus-table-col\">Artes Visuais<\/td><td class=\"plus-table-col\">L&uacute;cia Bergamaschi Costa Weymar<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">An&aacute;lise de discurso do e sobre o Anel do Poder em O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Luana Pinto Carneiro Saturnino dos Santos<\/td><td class=\"plus-table-col\">UNICAP<\/td><td class=\"plus-table-col\">Ci&ecirc;ncias da Linguagem<\/td><td class=\"plus-table-col\">Karl Heinz Efken<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">As representa&ccedil;&otilde;es hist&oacute;ricas do orientalismo na obra de Tolkien (1930-1950)<\/td><td class=\"plus-table-col\">&Aacute;tila Siqueira Martins Pinto<\/td><td class=\"plus-table-col\">UFMG<\/td><td class=\"plus-table-col\">Hist&oacute;ria<\/td><td class=\"plus-table-col\">Andr&eacute; Lu&iacute;s Pereira Miatello<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">Gandalf: a linha na agulha de Tolkien<\/td><td class=\"plus-table-col\">St&eacute;fano Stainle<\/td><td class=\"plus-table-col\">UNESP - FCL-CAr<\/td><td class=\"plus-table-col\">Estudos Liter&aacute;rios<\/td><td class=\"plus-table-col\">Aparecido Donizete Rossi<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">Identidade e discursiviza&ccedil;&atilde;o em The Hobbit de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Vinicius Carvalho Quesada<\/td><td class=\"plus-table-col\">UFSCar<\/td><td class=\"plus-table-col\">Lingu&iacute;stica<\/td><td class=\"plus-table-col\">M&ocirc;nica Baltazar Diniz Signori<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">Melkor, o inimigo do mundo: a constru&ccedil;&atilde;o do vil&atilde;o em O Silmarillion de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Alline Duarte Rufo<\/td><td class=\"plus-table-col\">UFSCar<\/td><td class=\"plus-table-col\">Lingu&iacute;stica<\/td><td class=\"plus-table-col\">Valdemir Miotello<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">O espa&ccedil;o ficcional em The Lord of the Rings: a trajet&oacute;ria de Frodo pela Terra-M&eacute;dia<\/td><td class=\"plus-table-col\">Amanda La&iacute;s Jacobsen de Oliveira<\/td><td class=\"plus-table-col\">UFSM<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">En&eacute;ias Farias Tavares<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2016<\/td><td class=\"plus-table-col\">O Senhor dos An&eacute;is: A Sociedade do Anel: entre os mitos e as rela&ccedil;&otilde;es de poder\/saber<\/td><td class=\"plus-table-col\">Nicaelle Viturino dos Santos de Jesus<\/td><td class=\"plus-table-col\">UFS<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Maria Em&iacute;lia de Rodat de Aguiar Barreto Barros<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2015<\/td><td class=\"plus-table-col\">A fantasia e a literatura no cinema: estudo de The Hobbit, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Walken Vasconcelos Martins<\/td><td class=\"plus-table-col\">FUESPI<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Maria do Socorro Baptista Barbosa<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2015<\/td><td class=\"plus-table-col\">O cinema, a transpar&ecirc;ncia e a verossimilhan&ccedil;a: uma an&aacute;lise das personagens digitais na narrativa cl&aacute;ssica de O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Jordane Trindade de Jesus<\/td><td class=\"plus-table-col\">UFJF<\/td><td class=\"plus-table-col\">Comunica&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Nilson Assun&ccedil;&atilde;o Alvarenga<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2015<\/td><td class=\"plus-table-col\">O olho e o olhar como espessuras significantes na trilogia f&iacute;lmica O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Cristiane Thielmann Steigert<\/td><td class=\"plus-table-col\">UFU<\/td><td class=\"plus-table-col\">Estudos Lingu&iacute;sticos<\/td><td class=\"plus-table-col\">Simone Tiemi Hashiguti<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2013<\/td><td class=\"plus-table-col\">A representa&ccedil;&atilde;o do mito do her&oacute;i em O Senhor dos An&eacute;is: uma an&aacute;lise da obra de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Rafael Campos Beliz&aacute;rio<\/td><td class=\"plus-table-col\">UERN<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Roni&ecirc; Rodrigues da Silva<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2013<\/td><td class=\"plus-table-col\">Dimens&otilde;es do Fant&aacute;stico e aventuras da tradu&ccedil;&atilde;o em The Lord of the Rings, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Carlos Alberto Nogueira Filho<\/td><td class=\"plus-table-col\">PUC-GO<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Divino Jos&eacute; Pinto<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2013<\/td><td class=\"plus-table-col\">Mitologia na contemporaneidade: o Legendarium tolkieniano<\/td><td class=\"plus-table-col\">Thiago Destro Rosa Ferreira<\/td><td class=\"plus-table-col\">UFU<\/td><td class=\"plus-table-col\">Hist&oacute;ria<\/td><td class=\"plus-table-col\">Josianne Francia Cerasoli<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2012<\/td><td class=\"plus-table-col\">L&aacute; e de volta outra vez: J. R. R. Tolkien - campo liter&aacute;rio e editorial<\/td><td class=\"plus-table-col\">Gustavo Racy<\/td><td class=\"plus-table-col\">PUC-SP<\/td><td class=\"plus-table-col\">Ci&ecirc;ncias Sociais<\/td><td class=\"plus-table-col\">Silvia Helena Simoes Borelli<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2012<\/td><td class=\"plus-table-col\">Pr&aacute;ticas de Letramentos em Jogo de Constru&ccedil;&atilde;o Colaborativa: MUD Valinor<\/td><td class=\"plus-table-col\">D&aacute;fnie Paulino da Silva<\/td><td class=\"plus-table-col\">UNICAMP<\/td><td class=\"plus-table-col\">Lingu&iacute;stica Aplicada<\/td><td class=\"plus-table-col\">Marcelo El Khouri Buzato<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2011<\/td><td class=\"plus-table-col\">Da floresta ao guarda-roupa:&nbsp;The Lion, The Witch and The Wardrobe e o caminho para Fa&euml;rie<\/td><td class=\"plus-table-col\">Mirane Campos Marques<\/td><td class=\"plus-table-col\">UNESP - IBILCE<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Alvaro Luiz Hattnher<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2011<\/td><td class=\"plus-table-col\">Magia e Tecnologia a servi&ccedil;o da Verdade: O Senhor dos An&eacute;is e a cr&iacute;tica &agrave; modernidade<\/td><td class=\"plus-table-col\">Paulo Armando Cristelli Teixeira<\/td><td class=\"plus-table-col\">PUC-SP<\/td><td class=\"plus-table-col\">Hist&oacute;ria<\/td><td class=\"plus-table-col\">Yvone Dias Avelino<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2011<\/td><td class=\"plus-table-col\">The Lord of the Rings e a est&eacute;tica da finitude<\/td><td class=\"plus-table-col\">Andr&eacute; Luiz Rodrigues Modesto Pereira<\/td><td class=\"plus-table-col\">UNESP - FCL-CAr<\/td><td class=\"plus-table-col\">Estudos Liter&aacute;rios<\/td><td class=\"plus-table-col\">Karin Volobuef<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2009<\/td><td class=\"plus-table-col\">Tradi&ccedil;&atilde;o e Modernidade em O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Thiago Antunes<\/td><td class=\"plus-table-col\">UNESP - Mar&iacute;lia<\/td><td class=\"plus-table-col\">Ci&ecirc;ncias Sociais<\/td><td class=\"plus-table-col\">C&eacute;lia Aparecida Ferreira Tolentino<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2008<\/td><td class=\"plus-table-col\">A aventura m&iacute;tica em A can&ccedil;&atilde;o dos Nibelungos e O Senhor dos An&eacute;is: semelhan&ccedil;as e diferen&ccedil;as do mito original ao mito contempor&acirc;neo<\/td><td class=\"plus-table-col\">Lucas de Melo Bonez<\/td><td class=\"plus-table-col\">PUC-RS<\/td><td class=\"plus-table-col\">Lingu&iacute;stica e Letras<\/td><td class=\"plus-table-col\">Maria Eunice Moreira<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2008<\/td><td class=\"plus-table-col\">A caracteriza&ccedil;&atilde;o do feminino em The Silmarillion, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Mariana Souza e Silva<\/td><td class=\"plus-table-col\">UNESP - Assis<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Cleide Ant&ocirc;nia Rapucci<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2008<\/td><td class=\"plus-table-col\">Da Camelot arturiana &agrave; Terra-m&eacute;dia: representa&ccedil;&otilde;es da mulher em Le Morte D'Arthur e The Lord of the Rings<\/td><td class=\"plus-table-col\">Ana Cl&aacute;udia Bertini Ciencia<\/td><td class=\"plus-table-col\">UNESP - IBILCE<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Alvaro Luiz Hattnher<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2007<\/td><td class=\"plus-table-col\">A rela&ccedil;&atilde;o cinema-literatura na constru&ccedil;&atilde;o da simbologia do anel na obra O Senhor dos An&eacute;is: uma an&aacute;lise intersemi&oacute;tica<\/td><td class=\"plus-table-col\">Em&iacute;lio Soares Ribeiro<\/td><td class=\"plus-table-col\">UECE<\/td><td class=\"plus-table-col\">Lingu&iacute;stica Aplicada<\/td><td class=\"plus-table-col\">Soraya Ferreira Alves<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2007<\/td><td class=\"plus-table-col\">&Eacute;owyn, a Senhora de Rohan: uma an&aacute;lise lingu&iacute;stico-discursiva da personagem de Tolkien em O Senhor dos An&eacute;is<\/td><td class=\"plus-table-col\">Renata Kabke Pinheiro<\/td><td class=\"plus-table-col\">UCPEL<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Susana Born&eacute;o Funck<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2007<\/td><td class=\"plus-table-col\">Jovens leitores d'O Senhor dos An&eacute;is: produ&ccedil;&otilde;es culturais, saberes e sociabilidades<\/td><td class=\"plus-table-col\">Larissa Camacho Carvalho<\/td><td class=\"plus-table-col\">UFRGS<\/td><td class=\"plus-table-col\">Educa&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Maria Stephanou<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2007<\/td><td class=\"plus-table-col\">O bem e o mal na Terra M&eacute;dia - a filosofia de Santo Agostinho em O Senhor dos An&eacute;is de J. R. R. Tolkien como cr&iacute;tica &agrave; modernidade<\/td><td class=\"plus-table-col\">Diego Genu Klautau<\/td><td class=\"plus-table-col\">PUC-SP<\/td><td class=\"plus-table-col\">Ci&ecirc;ncias da Religi&atilde;o<\/td><td class=\"plus-table-col\">Luiz Felipe Pond&eacute;<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2007<\/td><td class=\"plus-table-col\">Pseudotradu&ccedil;&atilde;o, linguagem e fantasia em O Senhor dos An&eacute;is, de J. R. R. Tolkien: princ&iacute;pios criativos da fantasia tolkieniana<\/td><td class=\"plus-table-col\">Dircilene Fernandes Gon&ccedil;alves<\/td><td class=\"plus-table-col\">USP<\/td><td class=\"plus-table-col\">Estudos Lingu&iacute;sticos e Liter&aacute;rios em Ingl&ecirc;s<\/td><td class=\"plus-table-col\">Lenita Maria Rimoli Esteves<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2006<\/td><td class=\"plus-table-col\">A &aacute;rvore das est&oacute;rias: uma proposta de tradu&ccedil;&atilde;o para Tree and Leaf, de J. R. R. Tolkien<\/td><td class=\"plus-table-col\">Reinaldo Jos&eacute; Lopes<\/td><td class=\"plus-table-col\">USP<\/td><td class=\"plus-table-col\">Estudos Lingu&iacute;sticos e Liter&aacute;rios em Ingl&ecirc;s<\/td><td class=\"plus-table-col\">Lenita Maria Rimoli Esteves<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2005<\/td><td class=\"plus-table-col\">O Senhor dos An&eacute;is: a tradutora na obra traduzida<\/td><td class=\"plus-table-col\">Patr&iacute;cia Mara da Silva<\/td><td class=\"plus-table-col\">UNESP - IBILCE<\/td><td class=\"plus-table-col\">Estudos Lingu&iacute;sticos<\/td><td class=\"plus-table-col\">Cristina Carneiro Rodrigues<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">2003<\/td><td class=\"plus-table-col\">A comunidade discursiva virtual Sociedade Senhor dos An&eacute;is: caracteriza&ccedil;&atilde;o e condi&ccedil;&otilde;es de participa&ccedil;&atilde;o<\/td><td class=\"plus-table-col\">Carla Rafaela Gaede<\/td><td class=\"plus-table-col\">UFC<\/td><td class=\"plus-table-col\">Lingu&iacute;stica<\/td><td class=\"plus-table-col\">Bernardete Biasi Rodrigues<\/td><\/tr><tr class=\"plus-table-row\"><td class=\"plus-table-col\">1984<\/td><td class=\"plus-table-col\">O Senhor dos An&eacute;is: estrutura e significado<\/td><td class=\"plus-table-col\">L&uacute;cia Lima Polachini<\/td><td class=\"plus-table-col\">UNESP - IBILCE<\/td><td class=\"plus-table-col\">Letras<\/td><td class=\"plus-table-col\">Carlos Daghlian<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t<style><\/style>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Disserta\u00e7\u00f5es de Mestrado Baixar Arquivos \ufeffAno T\u00edtulo Autor(a) Universidade PPG Orientador(a) 2021 Entre Tom&aacute;s e Tolkien: a representa&ccedil;&atilde;o do ser humano segundo a escol&aacute;stica tomista na Sociedade do Anel Rodrigo Gustavo Pires Heckler Universidade FEEVALE Processos e Manifesta&ccedil;&otilde;es Culturais Cristina Ennes da Silva 2021 Luz e escurid&atilde;o na Terra M&eacute;dia: as met&aacute;foras conceptuais que regem [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/pages\/686"}],"collection":[{"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/comments?post=686"}],"version-history":[{"count":16,"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/pages\/686\/revisions"}],"predecessor-version":[{"id":739,"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/pages\/686\/revisions\/739"}],"wp:attachment":[{"href":"https:\/\/estudostolkienianos.com.br\/pt_br\/wp-json\/wp\/v2\/media?parent=686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}